In the Studio/Vision Boxes for Old Lyme

20180523_151125_HDRAll the final elements for the Vision Box project for Old Lyme, Connecticut, are coming together. The permits for the sites are in, the graphic designer is working on our logo and mapping, the collaborating artists have done their beautiful panels and I’m just finishing the sculptural elements.  Their installation on May 30th will mark four special places in town, the sites along the marshes, river front and woodland still look like they might have a century earlier when the plein air painters first discovered Old Lyme at the turn of the 20th century. Thanks to efforts of conservation organizations in town we can still enjoy the beauty and wildness that attracted the artists.

Once its all up plan on a visit and walk through Old Lyme to visit the boxes. More on the project and its generous sponsors soon.


Artist Talk: Vision /The Artist’s Gaze and the American Land Conservation Movement




At the end of May, I finish up as the first Schumann Foundation Visiting Artist in Environmental Art at Lyme Art Academy.  My last class was last week and I’m preparing  for the public lecture  I will deliver on Thursday, May 10th entitled: Vision /The Artist’s Gaze and the American Land Conservation Movement.  The idea for the talk comes out of the process of creating a collaborative public art piece which will be installed in June at numerous sites in town. For the past few months, weather permitting, I’ve walked the marshlands along the Connecticut River and tromped through forests and fields.  I’ve been following in the footsteps of the plein air painters who’ve been inspired by this area, most notably the artists who made up the American Impressionist Colony at the turn of the 20th century.  The artists came for the quality of light by the river, the open fields, mature trees and the hospitality to be found at the boarding house owned by Florence Griswold. Today the house and its grounds are the Florence Griswold Museum, presenting the works of the American Impressionists as well as dynamic contemporary exhibitions.

My companions during my walks have been residents and local stewards who are also  busy working on local land trusts. Thanks to them and others like them, many of these places in Old Lyme that I explored are now under conservation retaining many of the qualities that would have attracted the painters more than a century ago and continue to inspire artists today. As the months went by I began to make the connection between artistic and conservation vision, I realized that what had happened in Old Lyme was a unique microcosm of what had happened in other parts of the country.

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sketch for Vision Bpxes, designs inspired by French landscape easels

Places like Yosemite and  Yellowstone Park were documented by artists long before they were even parks. It was their artistic gaze, their paintings and photographs that opened people’s eyes to the majesty and importance of wild and open spaces in our country, eventually encouraging policy makers to preserve large tracts of land. The talk on Thursday will touch on this history and introduce the public to the public art project entitled “Vision Boxes” which will be installed by the beginning of June.

The talk is open to the public, I hope you can join us.




The Trees are Moving


migrant trees by Ana Flores

If you listen long enough in the forest you begin to hear the untold stories. Three years ago I began to dream of trees on wheels because I sensed that trees wanted to move. They have an intelligence that is as sophisticated as our human species– maybe more so. The mind of the forest is a collective mind which is all underfoot as we walk through the forest, their roots come together to communicate and help each other with a network made up of fungi. 

But back to the trees moving- they are moving as a species because of climate change. A recent article in the Atlantic Magazine, informs us that they are moving more West then North as scientists expected. So I’m not crazy, trees do have a life of their own that we barely comprehend, and they are moving.



February 28th Artist Talk at Lyman Allen Museum

Thanks to the winter weather the talk for Feb 8th was rescheduled. I’ll be talking on Wednesday, February 28th about the inspiration for the installation “What We Choose to Remember…” based on one of my trips back to Cuba. The piece is part of a group  exhibition curated by Alva Greenberg, On Another Note: The Intersection of Art and Music Ana in Trinidad.jpg

Winter Dialogues

duets.jpgFeb 7th: 5;30 pm. Artist talk Lyman Allen museum. I’m looking forward to sharing the evening with the artist, Carlos Estevez, regarding our works in the exhibition “On Another Note The Intersection of Art and Music curated by Alva Greenberg. The Lyman Allen museum is located in New London,CT.

Feb 9th- March 15th Duets Exhibition at ArtProv Gallery, Providence, RI. This exhibition juxtaposes the works of three artist couples. My husband and I are one of the couples. There will be two receptions for the exhibit: Friday, Feb 9th, and Thursday, March 15th, both from  5-9 pm, gallery is located on 150 Chestnut Street, Third Floor, Providence, RI

Jan 19th-May 10th   Schumann Visiting Artist in Environmental Art at the University of New Haven Lyme Art Academy School of Fine Arts. I’m honored to be the first artist to fill this position.  The next 5 months will be spent exploring the ecology and history of the estuary landscape of Old Lyme with art students. Old Lyme is at the mouth of the Connecticut River Watershed which extends all the way into Canada. Throughout the spring I’ll also be working on my own installation about my explorations there, I’ll post more as I get to know the area. That installation will debut with an artist talk on May 10th at the Lyme Art Academy.



On Another Note and More

Detail Dancers copy.jpeg

On Dec 2nd, On Another Note/ The intersection of Art and Music opens at the Lyman Allen Museum in New London, CT. The show will include an installation of mine entitled” “What we choose to remember and what we choose to forget.” The show curated by Alva Greenberg is up through March 11th, for more on the show visit the Lyman Allen Museum website here.

I’m also happy to announce that the exhibit, “Makers Unknown”  which opened in Providence, RI at Brown University’s Center for Slavery and Justice in May of this year has been extended until March of 2018.  That exhibit includes my installation entitled ” The History of the Coffee Table”.




A Season of Tempests

Ana Flores The Island draws me Newport Art Museum November 2012
Havana Siren 1/ acrylic on paper 40″ x 30″

The Caribbean has been especially hard hit with hurricane Irma this season. The islanders  know too well that their weather can be pure bliss or hell and thus has been their history. The word hurricane came into the English language from the extinct Taino language, huracán, god of the storm. The Tainos were an indigenous tribe living on the islands of Cuba, Dominican Republic and Puerto Rico when the Spanish conquistadors sailed in. Unfortunately their resilience to hurricanes proved no match to the devastation of colonization.

This Fall sculptures and paintings from my ongoing Cuba series are in numerous group shows in New England.


Sept 1-29    University of Rhode Island/ Providence Campus, Feinstein Lobby,               Cuba Inside and Out, Reception Sept. 21 5 pm.

May 26- Oct 31st  Brown University Center for Slavery and Justice, Providence, RI,   Makers Unknown/ Material Objects and the Enslaved 

Dec 2 to March 10,Lyman Allyn Museum, New London, CT                                                     On Another Note: The Intersection of Art and Music curated by Alva Greenberg.     Opening Reception Saturday, December 2 from 5pm to 7pm